Julia Wallace, a recently divorced woman with a precocious young daughter named Gracie, helps her mother, Shirley, run a family-owned coffee shop in a small town. Logan is the cafe's baker and Kay Ohara runs a nearby pawn shop.

Minnie and Quinn were both born in London on New Year’s Day, in the same hospital, one minute apart. Thirty years later — and very different people — they find themselves thrown together again in the same city on New Year’s Eve.

When faced with a lengthy prison sentence, Russ Mahler - a career criminal armed with a destructive secret - blackmails the only man that can get him off the hook, Manhattan District Attorney Graham Seifert. An ambitious politician on the rise, Graham's life is upended when Senator Monty Clemens asks him to join his ticket to become the next Governor of New York. Clemens, a corrupt politican, is currently being investigated by the D.A.'s office for a multi-million dollar embezzling scheme.

Ash, Shannon, and Wendy are all late. You know... LATE. As their collective anxiety grows, they band together to face their fears, confront the potential fathers, and egg a car or two. All part of the world's first maybe shower.

Signs of a lover's breakup

A middle-class couple are separating and the three kids are to stay with their bossy and resentful mother. Missing their beloved father, the kids run away to look for him – unaware that the baby's carry-cot contains a bag of pure heroin hidden by a street-kid during a police raid.

Determined to bring hope to their rural Pennsylvania community, a couple embark on an ambitious mission to establish a revolutionary therapy center for children with special needs.

Many Fires This Time: We the 100 Million is a poetic docudrama about the 1 in 3 Americans and counting, living in economic insecurity. It follows the journey of poet and activist A Scribe Called Quess? as he connects with fellow activist poets and the communities they represent from Oakland to Chicago to Kentucky to his hometown of New Orleans.

Two lovers, an archivist, a shopkeeper and a singer haunt the city, wearing self-fashioned evocative costumes in this third collaboration between Asmaa Jama and Gouled Ahmed, who impersonate some of the characters themselves. Manipulating their own family portraits with coloured pencils, the artists critique colonial practices and traumatic histories through processes of reenactment and reclamation. “We are unseen beings, we are bright afterimages” cries the poetry of Jama, echoing the erasure and resurrection of those on the periphery. Enlightened by some of the great Malian studio photographers, such as Seydou Keïta and Malick Sidibé, we are presented with a spectacular mise-en-scène that conjures a generative ritual of awakening. (Ane Lopez) 　　源自：https://bfmaf.org/programme/slow-shift-except-this-time-nothing-returns-from-the-ashes-the-watchman/